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 Teaching Philosophy

My teaching philosophy is centered around the belief that movement provides an entry point for students to deepen their learning physically, cognitively, socially, and emotionally.  I believe there needs to be a balance between the technical, creative, and analytical components of dance (Smith-Autard, 2013). As a constructivist educator, I value students' unique perspective and contributions in class. I believe it is my role not only to develop students technical and creative dance skills, but their critical thinking and collaboration skills. I believe my role is to support students in their exploration of their individual curiosities and provide them the skills necessary to become life-long learners. I believe this can be accomplished through the comprehension dance program centered around the four cornerstones of dance—performing, creating, knowing history/culture and responding (McCutchen, 2006). Below I have highlighted key components to my teaching philosophy.

Dance for Every Child

One of my goals as a dance educator is to make dance accessible to all my students, and through this, innately challenge my students' definition of dance. I believe that each and every one of us is a dancer in our own way. I strive to teach key dance elements such as spatial awareness, anatomical alignment, musicality, balance, locomotor skills, and performance qualities to provide students with the foundational knowledge of safe movement practice. These skills must align to students' developmental abilities so they can succeed at a task and build their confidence as a mover. Once students perceive themselves as dancers, they will be more receptive to exploring different topics through movement. One of the wonderful aspects of dance is that there is no 'right' or 'wrong' way to move, simply variations. Dance lends itself to differentiation to create an inclusive environment for all students.

 

Security

I believe that students must first feel safe, before they can learn. Thus, I strive to establish a class community based on mutual respect and rapport among the students and myself. I believe this can be accomplished from a constructivist approach of drawing from students' personal experiences, interests, and backgrounds to create an inclusive environment based on understanding. It is important that I provide my students with equal, not the same, instruction, differentiating lessons to address their individual needs to provide them with the support necessary to be successful in class.

 

Support and Engagement

An aspect of providing equal instruction includes supporting students in their individual inquiries. I believe that learning occurs during the process when students are planning, problem solving, and applying their knowledge. I value a learner-centered environment that draws from students' backgrounds and interests. I believe this allows for rich, culturally sensitive curriculum that students find engaging and meaningful to their individual lives. It is my role to create these connections between the dance content and students lives and to provide them with opportunities to collaborate with their peers, further deepening their wealth of knowledge. I strive to provide students with the skills and resources necessary to gradually release students on their own paths of life-long inquiry.

21st Century Skills

PK-12 Students fortunate enough to receive a dance education also receive the skills to be life-long thinkers and learners. Aligning with the 21st Century Skills, I believe it is integral to engage students minds in dance just as much as their physical bodies. The brain is also a muscle that needs to be exercised. I am passionate about integrating critical thinking into my dance curriculum. Beyond learning the performance aspects of dance, I believe students also need to develop their observation, analysis, and reflection skills; they need to learn how to watch dance. Critical thinking, reflection and articulation of one's practice, observations, learning are valuable skills that will serve students as they accept responsibility of their learning. These are underlying components that drive my dance curriculum and pedagogy in my pursuit to support students in their development to become articulate scholars. Dance education provides students with the technical foundation to pursue dance performance, in addition to the knowledge necessary to advocate and be an informed consumer of dance. It also develops students analysis, literacy, and critical thinking skills that will serve them in the dance field and beyond.

 

Community

Beyond the classroom community, I believe it is important to contribute to the school and outside community. A strong, positive school culture is one that establishes a community between students, teachers, families, and administration and will best support students in their educational goals.  In my teaching I seek out opportunities for interdisciplinary collaborations to enrich my dance curriculum and establish relationships with other educators.  I strive to model the expectations I have for my students. I aim to impress upon them the importance and great personal reward of seeking outside opportunities and being an active, respectful member of society.

References

 

Buckroyd, J. (2000). The Student Dancer: Emotional Aspects of the Teaching and Learning of Dance. London: Dance Books Ltd.

 

Gibbons, E. (2007). Teaching Dance the Spectrum of Styles. Bloominton, IN: AuthorHouse.

 

Haibach, P.S., Reid, G., Collier, D.H. (2011). Motor Learning and Development. Champaign, IL: Human Kinetics.

 

Krasnow, D.H. & Wilmerding, M.V. (2015). Motor Learning and Control for Dance: Principles and Practices for Performers and Teachers. Champaign, IL: Human Kinetics.

 

McCutchen, B.P. (2006). Teaching Dance as Art in Education. Champaign, IL: Human Kinetics.

 

New Jersey Department of Education. (2014). New Jersey Core Curriculum Content Standards 21st Century Life and Career. Retrieved April 23, 2016, from http://www.state.nj.us/education/cccs/2014/career/9.pdf.

 

Smith-Autard, J.M. (2013). The Art of Dance in Education. London: Bloomsbury Methuen Drama.

 

Weinstein, C.S. & Novodvorsky, I. (2011). Middle and Secondary Classroom Management: Lessons from Research and Practice (4th ed.). New York: The McGraw-Hill Companies, Inc.

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